Piano Music Training as a Teaching Support for Educational Problems in Modern Universities in China

Authors

  • Mingxuan Wu Francisk Skorina Gomel State University

DOI:

https://doi.org/10.70393/6a6574.333132

ARK:

https://n2t.net/ark:/40704/JET.v2n2a01

Disciplines:

Curriculum and Instruction

Subjects:

Teaching Strategies

References:

8

Keywords:

Piano Music Training, University Education, Music Education

Abstract

Piano music training occupies an important position in our country's higher education system, not only as a core course for music majors, but also widely used in general education and comprehensive quality training. However, piano education in Chinese universities still faces many problems such as single teaching methods, unreasonable curriculum, and insufficient practical ability of students. This paper discusses the supporting role of piano music training in modern university education, analyzes its existing problems, analyzes the characteristics of Chinese and Western piano repertoire to trigger the importance of students' basic training, takes the analysis of the characteristics of Chinese and Western piano repertoire to trigger the importance of students' basic training, takes it as a starting point to fundamentally cultivate students' musical literacy and interest in music, and puts forward an optimization strategy to promote the sustainable development of music education. In short, piano education can promote the overall coordination of college students' bodies, and from the psychological aspect, piano education can improve the willpower of college students and stimulate their creative thinking, and the mutual communication and cooperation in piano performance can cultivate students' collectivist concepts.

Author Biography

Mingxuan Wu, Francisk Skorina Gomel State University

Francisk Skorina Gomel State University, Belarus.

References

[1] Herholz, S. C., & Zatorre, R. J. (2012). Musical training as a framework for brain plasticity: Behavior, function, and structure. Neuron, 76(3), 486–502. https://doi.org/10.1016/j.neuron.2012.10.011.

[2] Zhang Qinwen. (n.d.). Reflections on the Current Situation of Piano Education in China [Online Forum Post]. Baidu Library. https://wenku.baidu.com/view/9c1007ebbceb19e8b9f6ba36

[3] Zhou, N. (2014). Reflections on the current state of teaching Chinese piano works. Yellow River of the Music, (10), 104.

[4] Yu, L. (2013). Problems and solutions in college piano playing teaching. Course Education Research (Upper), (12). http://www.qikan.com.cn

[5] Guo, A. P. (2014). Strengthening the teaching of Chinese piano works: Reflections. In Y. Qi & J. G. He (Eds.), Listening·Sound·Inquiry·Art: Collection of Award-Winning Papers from the First Ningxia University Literature and Art Competition (Chapter 2). Ningxia People's Publishing House

[6] Zhou Wei. (2003). History of Western Piano Art (Music Volume). Shanghai Music Publishing House.

[7] LIU, H. (2016). Analysis of strategies for improving piano teachers' teaching ability. Renjian [Human World], 2016(02), 267. (Article No. 1671-864X(2016)01-0267-O1)

[8] Ye, X., & Zhang, D. (2024). Balancing emotional expression and technical training: Teaching strategies for middle school students' piano performance. Chinese Teachers, 21, 1-5.

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Published

2025-08-21

How to Cite

Wu, M. (2025). Piano Music Training as a Teaching Support for Educational Problems in Modern Universities in China. Journal of Educational Theory, 2(2), 1–6. https://doi.org/10.70393/6a6574.333132

Issue

Section

Research Article

ARK